The Tribal Universe is a dark fantasy and horror setting created by Tony James Nelson II, who also writes under the pen name Tribal Brown. Built as the shared fictional world behind the larger Tribal franchise, the Tribal Universe brings together novels, comics, graphic storytelling, mythic fiction, supernatural horror, tribal kingdoms, violent power structures, sacred texts, hidden histories, and characters shaped by survival.

What makes the Tribal Universe stand out is that it is not simply a fantasy world with kingdoms and warriors. It is a brutal mythological system where violence becomes law, identity can be stripped away, power is inherited through bloodlines, and survival often comes at the cost of humanity. The world is designed to feel ancient, dangerous, spiritual, political, and psychologically intense.

At the center of the Tribal Universe are major locations such as Nebu, Gia, and Terra. These are not only places on a map. They represent different systems of power, survival, resistance, inheritance, and control. Nebu is tied to hierarchy, militarized discipline, bloodline authority, and some of the darkest structures in the setting. Gia stands as a rival kingdom connected to fractured bloodline conflict and political power. Terra represents concealment, protection, survival, and opposition to the systems that dominate the wider world.

The mythology is also shaped by major concepts such as Ka’ru, the Tribal Bible, Deathwave, the First Conri Tora, the Thirteen Chambers, and Murder Island. These ideas give the universe its supernatural, spiritual, and horror-based foundation. They explain why power is not only political in the Tribal Universe. It is also mystical, bodily, psychological, ritualistic, and inherited.

The Tribal Universe is a world where characters are not only fighting enemies. They are fighting systems. They are fighting bloodline curses, engineered violence, sacred doctrine, identity erasure, political manipulation, supernatural corruption, and the trauma of being shaped into weapons.

That is what makes the Tribal Universe powerful. It is dark fantasy with emotional weight. It is horror with mythology. It is worldbuilding with a moral wound at the center.

What Is the Tribal Universe?

The Tribal Universe is the shared fictional setting for the Tribal franchise. It includes stories told through novels, comics, graphic storytelling, and related worldbuilding projects. Its major works include Tribal: Bloody Beginnings and Tribal Comics Issue 1: Dark Justice, with more stories and characters expanding the universe over time.

The setting is built around tribal hierarchies, supernatural power, royal bloodlines, sacred artifacts, corrupt leadership, militarized factions, hidden institutions, and ancient forces that shape the lives of characters across generations.

In many fantasy worlds, kingdoms fight for land, crowns, or resources. In the Tribal Universe, the conflict goes deeper. Kingdoms and factions fight over identity, doctrine, bloodline legitimacy, survival systems, and access to supernatural power. The world asks a disturbing question: what happens when society is built around turning pain into law?

That question appears throughout the setting. Children can be stripped of identity and forced through survival systems. Warriors can be engineered into weapons. Sacred texts can become tools of power. Kings and leaders can use mythology to justify violence. Bloodlines can determine destiny before a person has the chance to define themselves.

The Tribal Universe is not a soft fantasy setting. It is harsh, cinematic, and emotionally intense. Its stories often deal with pain, betrayal, survival, leadership, corruption, hidden truth, and the cost of becoming powerful in a world that rewards brutality.

A Dark Fantasy World With Horror at Its Core

The Tribal Universe belongs to dark fantasy and horror because its world is built on fear, violence, ritual, and supernatural corruption. The horror does not come only from monsters. It comes from systems.

There are physical horrors, such as engineered warriors, brutal trials, supernatural entities, and violent battles. But the deeper horror is institutional. The world contains structures designed to reshape people, strip them of names, break their emotional attachments, and turn them into tools of survival or domination.

That kind of horror is psychological. It asks what happens when a person is forced to survive so completely that survival becomes their identity. It asks what remains when love is treated as weakness, family becomes a battlefield, and leadership is built through pain.

This is one of the strongest parts of the Tribal Universe. It does not rely only on visual darkness. It creates moral darkness. It shows how people can become trapped inside systems they did not create, then forced to either obey them, resist them, or become worse than them.

Dark fantasy works best when the world feels beautiful and terrifying at the same time. The Tribal Universe has that duality. It has kingdoms, sacred texts, supernatural forces, warriors, bloodlines, and mythology. But beneath that mythic surface is rot: hidden history, manipulation, conditioning, and violence presented as destiny.

That is what gives the universe its horror identity.

Nebu: Power, Hierarchy, and the Darkness Beneath Rule

Nebu is one of the central powers in the Tribal Universe. It is associated with hierarchy, militarized discipline, bloodline authority, and the darker systems that shape the setting. Nebu is tied to rule, control, obedience, and the hidden violence beneath tribal order.

In many ways, Nebu represents the danger of power when power becomes sacred. It is not merely a kingdom. It is a structure that teaches people where they belong, who they must obey, and what they must sacrifice to survive.

Nebu’s importance comes from its role as a center of authority. Figures such as The Dark Alpha, Knargz, and Zuberi connect the location to leadership, bloodline conflict, and the larger mythological tension of the universe. Nebu is a place where personal choices are shaped by systems that existed long before the characters were born.

This makes Nebu one of the most important storytelling engines in the Tribal Universe. It can produce warriors, rulers, victims, rebels, and monsters. It can create order, but that order comes with a cost. It can protect power, but not always people.

Nebu is compelling because it forces readers to ask whether a kingdom built on fear can ever be stable. It may appear strong from the outside, but the hidden violence inside the system creates cracks that can eventually reshape the entire world.

Gia: Rival Power and Bloodline Conflict

Gia is another major kingdom in the Tribal Universe and serves as a rival political power in the wider setting. It is closely connected to Utrea and to the fractured bloodline conflicts that shape the mythology and political structure of the universe.

Gia matters because fantasy worlds become more powerful when no single kingdom controls the entire narrative. Rival kingdoms create tension, contrast, and competing visions of power. If Nebu represents one form of authority, Gia creates another force that can challenge, mirror, or complicate it.

Bloodline conflict is one of the major themes attached to Gia. In the Tribal Universe, bloodlines are not only family connections. They are political claims, spiritual inheritances, threats, prophecies, and burdens. A person’s blood can determine how others see them before they ever speak.

Gia helps expand the world beyond one kingdom’s brutality. It shows that power struggles are not isolated. They spread across territories, families, histories, and mythologies. Rival powers may oppose each other, but they may also be connected by shared corruption, ancient secrets, and hidden truths.

That makes Gia essential to the larger Tribal Universe because it gives the world scope. It reminds readers that every kingdom has its own version of power, and every bloodline carries consequences.

Terra: Hidden Refuge and Resistance

Terra is one of the most interesting major locations in the Tribal Universe because it represents refuge, concealment, survival, and resistance. Unlike Nebu, which is tied to visible authority and brutal systems, Terra carries the idea of protection and strategic hiding.

A hidden kingdom or refuge-state is powerful in dark fantasy because it suggests that not all hope has been destroyed. There may still be places where people resist the dominant order. There may still be bloodlines, truths, or survivors protected from the systems trying to control them.

Terra’s role creates an important emotional contrast. In a universe filled with violence and corruption, Terra can represent the possibility that survival does not always have to mean surrender. It can represent hidden inheritance, protected identity, and opposition to the forces that shape the rest of the world.

But in the Tribal Universe, even refuge is not simple. A hidden kingdom can protect people, but secrecy can also create its own burdens. Resistance can preserve life, but it can also require sacrifice, deception, and difficult choices.

That is what makes Terra important. It gives the universe a counterweight. It suggests that even in a world built on violence, there are still people and places trying to protect something sacred.

Ka’ru: Life-Force, Combat Energy, and Spiritual Power

Ka’ru is one of the most important supernatural concepts in the Tribal Universe. It functions as a life-force, combat energy, spiritual power, and gateway into deeper layers of reality. It is tied to killing, emotional intensity, magic, and the power structure of major characters.

Ka’ru matters because it gives the universe a metaphysical foundation. Power is not only physical. It is spiritual and emotional. Violence is not only an act. It can alter energy, identity, and access to deeper supernatural forces.

This makes combat in the Tribal Universe different from ordinary battle. Fighting is not only about weapons, strength, or tactics. It can also involve spiritual intensity, emotional pressure, and the manipulation or awakening of Ka’ru.

A concept like Ka’ru allows the universe to connect body, soul, violence, and magic. It also raises moral questions. If power is tied to killing and emotional intensity, then the system itself may reward the darkest parts of a person. The more someone suffers, kills, or survives, the more powerful they may become. That creates a terrifying spiritual economy.

Ka’ru is one of the ideas that gives the Tribal Universe its dark fantasy identity. It transforms violence into something metaphysical, making every act of survival part of a larger supernatural structure.

The Tribal Bible: Sacred Text, Prophecy, and Hidden Truth

The Tribal Bible is one of the most important artifacts in the Tribal Universe. It is a sacred and mystical text tied to prophecy, hidden truth, vision, revelation, legitimacy, and deeper structures of power.

Sacred texts are powerful in fantasy because they can shape entire civilizations. They can tell people what to believe, who to follow, what to fear, and what history means. In the Tribal Universe, the Tribal Bible appears to carry that kind of importance.

But sacred texts can also be dangerous. If a text is controlled by rulers, priests, warriors, or hidden institutions, it can be used to justify authority. It can become a weapon of belief. It can decide which bloodlines are legitimate, which prophecies matter, and which truths must remain buried.

The Tribal Bible is compelling because it sits at the intersection of faith and power. It can reveal truth, but it can also be used to control truth. It can guide characters toward hidden knowledge, but it can also create conflict over who has the right to interpret it.

In the Tribal Universe, the Tribal Bible is not just a book. It is a source of revelation and danger.

Deathwave: People Turned Into Weapons

Deathwave is one of the clearest examples of the Tribal Universe’s horror identity. It is an engineered assassin system connected to scientific experimentation, body horror, and the transformation of people into weapons.

This concept is terrifying because it removes humanity from the individual. A person becomes a function. Their identity is replaced by purpose. Their body and mind are reshaped to serve violence.

Deathwave reflects one of the major themes of the Tribal Universe: the systems of power do not only command people; they manufacture them. They build warriors, assassins, rulers, and survivors through pain, conditioning, and experiment.

That makes Deathwave more than a faction or fighting style. It is a symbol of what happens when a world treats human beings as materials. The horror is not only that Deathwave creates killers. The horror is that someone decided people could be engineered for that purpose.

This gives the Tribal Universe a darker science-fantasy edge. It blends mythic violence with experimental horror, creating a world where both ancient power and engineered brutality can exist together.

The First Conri Tora: Corruption Beneath the Visible Order

The First Conri Tora is one of the darkest forces in the mythology of the Tribal Universe. It is described as an ancient corrupting and possessing entity tied to bloodline, power, the island, and hidden rot beneath the visible order.

This kind of entity is important because it suggests that the world’s violence is not only political or human. There is something older and more corrupt beneath the surface. The visible systems of power may be symptoms of a deeper infection.

The First Conri Tora gives the Tribal Universe mythological horror. It suggests possession, corruption, hidden influence, and ancient evil woven into the structure of the world. A kingdom may believe it is acting through tradition or law, but something darker may be shaping events from underneath.

This creates a powerful storytelling possibility. Characters may think they are fighting kings, enemies, rival tribes, or bloodline politics, only to discover that the real enemy is far older and more deeply embedded.

The First Conri Tora gives the universe a sense of buried dread. It makes the reader wonder what truths have been hidden, what powers have been misunderstood, and what corruption has been mistaken for destiny.

The Thirteen Chambers: Survival as a System

The Thirteen Chambers are one of the most disturbing and important concepts in the Tribal Universe. They are a hidden survival and conditioning system revealed in Tribal Comics Issue 1: Dark Justice and Chapter 10 of Tribal: Bloody Beginnings.

In this system, children are taken, stripped of identity, organized into groups, and forced through escalating chambers of pain, deprivation, psychological conditioning, and violence. The surviving groups become part of the foundation of leadership and law within the tribal order.

This concept is central because it reveals how leadership and violence are manufactured. In many fictional worlds, warriors become powerful through training. In the Tribal Universe, training can become identity destruction. The system does not only test children. It remakes them.

The Thirteen Chambers show that violence in the Tribal Universe is not random. It is organized. It is institutional. It has architecture. It has purpose. It has stages. It has rules. That is what makes it terrifying.

The chambers also connect to one of the universe’s biggest questions: if a child survives a system designed to destroy their humanity, what kind of adult do they become?

That question gives the Tribal Universe emotional depth. Survival is not treated as a simple victory. Survival leaves scars. It can create power, but it can also erase softness, memory, trust, and selfhood.

Murder Island: The Final Proving Ground

Murder Island is one of the feared trials or locations connected to the hidden survival structure of the Tribal Universe. It functions as a final proving ground beyond the chambers, where surviving groups are forced to continue together or prove the system failed.

The idea of Murder Island is powerful because it represents survival after survival. Characters who have already endured the chambers are not simply released. They are forced into another stage, another test, another place where the system demands proof.

That creates a brutal logic: survival is never enough. In the Tribal Universe, power structures do not simply want people to live. They want people to prove they can keep living under impossible conditions. They want survivors who can become tools of rule.

Murder Island can also represent the final collapse of innocence. If the chambers strip identity, Murder Island tests whether anything human remains. It asks whether bonds between survivors can endure or whether the system will turn everyone against each other.

This is one reason the Tribal Universe feels so intense. Its trials are not only physical. They are moral, emotional, and spiritual.

Major Characters in the Tribal Universe

The Tribal Universe includes a large and expanding cast tied to kingdoms, bloodlines, survival systems, supernatural structures, and hidden histories. Major characters include Thirty-Two, Rimitorry, The Dark Alpha, Utrea, Knargz, Zuberi, Kavumo, Khalembo, Eshari, Zafira, Sakori, Reonniz, Doctor Polezah, Nim’Raza, Death Wave, Zara Njoku, Dark Commander, Ariana, Tribe Queen, Malik Storm Rider, and Alpha.

What makes this cast interesting is that the characters are not only individuals. They are often tied to larger systems. A character may represent a bloodline, a kingdom, a chamber group, a mythological force, an experiment, a prophecy, or a resistance structure.

That gives each character multiple layers. They can be personal and symbolic at the same time.

Thirty-Two, for example, carries the weight of identity erasure simply through the name. A number replacing a name suggests dehumanization, survival, and a system that values function over personhood. Rimitorry, The Dark Alpha, Utrea, and others connect to the larger mythic and political conflicts of the setting.

Characters in the Tribal Universe are shaped by pressure. They are often born into systems that already decided what they should become. Their stories become powerful when they fight against those systems, surrender to them, or transform them.

Violence as Institution

One of the strongest themes in the Tribal Universe is violence as institution. Violence is not treated as random chaos. It is embedded into law, leadership, family structures, political systems, military discipline, sacred mythology, and survival training.

This is important because institutional violence is more frightening than isolated violence. A single violent person can be stopped. A violent system can outlive generations.

The Tribal Universe explores how violence becomes normalized when it is given structure. If children are trained through pain, if leaders are chosen through survival, if sacred texts justify bloodshed, and if kingdoms reward brutality, then violence becomes part of the culture’s foundation.

That theme gives the world moral complexity. Characters may not be violent simply because they are evil. They may be violent because the world has taught them that violence is the only language power respects.

The question becomes: can anyone escape a system that trained them to survive through harm?

Survival Versus Humanity

Another major theme is survival versus humanity. Many stories in the Tribal Universe ask what remains of a person when survival is made into the highest law.

Survival is often praised as strength, but survival can also cost something. If a person must erase tenderness, memory, love, trust, and identity to live, then survival becomes complicated. The person may remain alive but lose parts of themselves.

This theme is especially powerful in relation to the Thirteen Chambers and Murder Island. Children forced through brutal systems may survive physically, but the emotional and psychological damage becomes part of who they are.

The Tribal Universe does not treat survival as clean victory. It treats survival as a wound.

That is what makes the setting emotionally intense. The characters are not only fighting to live. They are fighting to remain human while living in a world that punishes humanity.

Identity Erasure and the Loss of Names

Identity erasure is another defining theme of the Tribal Universe. Names, histories, and individual identity are often stripped away or subordinated to roles, bloodlines, numbers, functions, or systems.

This is one of the darkest ideas in the setting because a name is one of the first signs of personhood. To remove a name is to tell someone they are no longer an individual. They are a tool, a subject, a survivor, a weapon, or a piece in someone else’s structure.

Characters like Thirty-Two show how powerful this theme can be. A number as a name suggests a past that was stolen or buried. It invites the reader to ask who the person was before the system renamed them.

Identity erasure also connects to hidden history. If people do not know where they come from, who they were, or what truth was taken from them, they are easier to control. The fight for identity becomes a fight for freedom.

In the Tribal Universe, remembering who you are can be an act of rebellion.

Love as Vulnerability

Love is frequently portrayed as both necessary and dangerous in the Tribal Universe. Emotional attachment can be a source of strength, but it can also be used as a weapon. In a brutal world, love gives enemies something to target.

This theme adds emotional depth because it prevents the universe from becoming only violent spectacle. Characters may fight, rule, kill, or survive, but they still feel. They still need connection. They still fear losing the people who make them human.

But because the world is built around power, love becomes risky. A parent, child, lover, friend, or sibling can become leverage. Tenderness can create weakness in the eyes of a system that values hardness.

That creates one of the most painful conflicts in the Tribal Universe: characters must decide whether to protect their humanity or bury it.

Love as vulnerability also makes betrayal more powerful. In a world where trust is rare, betrayal cuts deeper. It can reshape a character’s entire path.

Myth and Power

The Tribal Universe repeatedly explores how myth and power reinforce each other. Sacred language, prophecy, ritual, bloodline, and authority are not separate. They work together to create legitimacy.

This mirrors real patterns in human history, where rulers often use myth, religion, ancestry, or sacred symbols to justify power. In the Tribal Universe, this connection becomes darker and more supernatural.

A ruler may claim authority because of bloodline. A sacred text may reveal or conceal truth. A prophecy may guide political decisions. A ritual may reinforce social order. A myth may teach people to accept violence as necessary.

But hidden truth can destabilize power. If people discover that the myth was manipulated, the entire system can begin to crack.

This makes myth one of the most important forces in the Tribal Universe. It is not only background lore. It is a weapon, a shield, and a key to revolution.

Hidden History and Buried Truth

Hidden history is central to the Tribal Universe. Many of the setting’s most important revelations involve concealed origins, buried archives, forbidden doctrine, suppressed bloodlines, and truths deliberately withheld from the people who live under the system.

This theme gives the universe mystery and momentum. Characters are not only moving forward through conflict. They are also digging backward into the past. They must uncover what was hidden in order to understand why the present is broken.

Hidden history is powerful because it suggests that the world people know is incomplete. The official version of events may be a lie. The sacred story may be edited. The enemy may not be who everyone thinks. The true origin of power may be buried under generations of violence.

This creates strong storytelling potential. Every discovery can change the meaning of earlier events. Every hidden truth can shift alliances, expose corruption, or reveal a character’s real identity.

In the Tribal Universe, truth is dangerous because truth can destroy the systems built on lies.

Relationship to Tribal Comics

Tribal Comics serves as the graphic storytelling branch of the Tribal Universe. While the Tribal Universe refers to the shared fictional setting, Tribal Comics is the publishing imprint used to tell stories within that setting in comic-book form.

This distinction matters because the Tribal Universe is the world, while Tribal Comics is one way to explore it. Comics allow the setting’s violence, mythology, characters, and supernatural horror to become visual. That is important for a universe with cinematic intensity.

A story like Tribal Comics Issue 1: Dark Justice can reveal parts of the world in a way prose alone cannot. The Thirteen Chambers, for example, become even more disturbing when imagined visually. Graphic storytelling can show body language, environment, combat, ritual, darkness, and emotion in a direct way.

The relationship between novels and comics gives the Tribal Universe room to expand. Some stories may work best as prose. Others may work best as comics. Some may eventually work as animation, games, visual guides, or cinematic adaptations.

That flexibility is one of the strengths of a shared fictional universe.

Why the Tribal Universe Has Franchise Potential

The Tribal Universe has franchise potential because it contains the core ingredients of a large-scale dark fantasy property: a distinct mythology, major kingdoms, supernatural rules, sacred artifacts, powerful characters, hidden institutions, brutal trials, emotional themes, and multiple storytelling formats.

A strong franchise needs more than one hero. It needs a world that can support many stories. The Tribal Universe has that.

A novel can follow one character’s survival.
A comic can explore the chamber system.
A graphic novel can focus on a kingdom’s fall.
A short story can reveal a hidden archive.
A prequel can explain the First Conri Tora.
A spin-off can follow Deathwave experiments.
A visual guide can map Nebu, Gia, and Terra.
A game could place players inside survival trials.
An animated series could bring the mythology to life.

The world has enough depth to expand in multiple directions. That is what makes it a universe rather than only a single story.

The most important factor is consistency. As the Tribal Universe grows, its mythology, rules, characters, and timeline should remain organized. That allows readers to feel like every story adds to the larger whole.

Why Readers May Connect With the Tribal Universe

Readers may connect with the Tribal Universe because it speaks to emotional experiences through fantasy and horror. The world may be fictional, but its themes are recognizable.

People understand what it means to struggle with identity.
They understand the fear of being controlled.
They understand family conflict.
They understand betrayal.
They understand survival.
They understand wanting to know the truth.
They understand the pain of being shaped by systems they did not choose.

The Tribal Universe turns those human experiences into mythic storytelling. Instead of writing only about trauma directly, it builds a world where trauma becomes kingdoms, rituals, chambers, bloodlines, and supernatural power.

That is what dark fantasy can do well. It transforms emotional truth into myth.

The result is a universe that can appeal to readers who enjoy horror, mythology, political fantasy, psychological intensity, survival stories, and character-driven darkness.

Frequently Asked Questions About the Tribal Universe

What is the Tribal Universe?

The Tribal Universe is a dark fantasy and horror shared fictional universe created by Tony James Nelson II, who also writes as Tribal Brown. It serves as the setting for the broader Tribal franchise, including novels, comics, graphic storytelling, and related worldbuilding projects.

Who created the Tribal Universe?

The Tribal Universe was created by Tony James Nelson II.

What genre is the Tribal Universe?

The Tribal Universe blends dark fantasy, horror, mythic fiction, supernatural storytelling, political conflict, psychological intensity, and graphic worldbuilding.

What are the major locations in the Tribal Universe?

Major locations include Nebu, Gia, and Terra. Each location represents different systems of power, conflict, resistance, survival, and hidden history.

What is Ka’ru?

Ka’ru is a supernatural life-force and combat energy tied to emotional intensity, killing, magic, spiritual power, and deeper layers of reality.

What is the Tribal Bible?

The Tribal Bible is a sacred and mystical text connected to prophecy, hidden truth, vision, revelation, legitimacy, and the deeper power structure of the Tribal Universe.

What is Deathwave?

Deathwave is an engineered assassin system tied to scientific and experimental horror. It represents one of the universe’s major themes: people being turned into weapons.

What are the Thirteen Chambers?

The Thirteen Chambers are a hidden survival and conditioning system where children are stripped of identity and forced through escalating trials of pain, deprivation, psychological conditioning, and violence.

What is Murder Island?

Murder Island is a feared final proving ground connected to the survival structures of the Tribal Universe. It tests whether surviving groups can continue together or whether the system has failed.

What works are set in the Tribal Universe?

Major works include Tribal: Bloody Beginnings and Tribal Comics Issue 1: Dark Justice.

How is Tribal Comics connected to the Tribal Universe?

Tribal Comics is the graphic storytelling branch of the Tribal Universe. The universe is the fictional setting, while Tribal Comics is one of the publishing labels used to tell stories inside that world.

Conclusion

The Tribal Universe is a dark, cinematic, mythology-heavy fictional world built around power, violence, bloodlines, survival, sacred texts, hidden history, and supernatural corruption. Created by Tony James Nelson II, the universe serves as the foundation for the broader Tribal franchise, including novels, comics, graphic storytelling, and future worldbuilding projects.

Its major locations Nebu, Gia, and Terra  give the world political and emotional structure. Its major concepts  Ka’ru, the Tribal Bible, Deathwave, the First Conri Tora, the Thirteen Chambers, and Murder Island give the setting supernatural depth and horror. Its characters carry the weight of bloodline conflict, survival systems, identity erasure, and mythic power.

What makes the Tribal Universe compelling is not only its darkness. It is the meaning behind the darkness. The universe asks what happens when violence becomes law, when children are turned into leaders through suffering, when sacred texts become weapons, when love becomes vulnerability, and when hidden history threatens to destroy the official order.

The Tribal Universe is built for readers who want fantasy with consequences. It is not a world of simple heroes and villains. It is a world of broken systems, dangerous truths, brutal inheritance, and characters fighting to survive without losing the last pieces of themselves.

That is why the Tribal Universe has the potential to grow into a powerful dark fantasy franchise. It has mythology, conflict, emotional stakes, visual intensity, and a world large enough to support many stories.

At its heart, the Tribal Universe is about survival but not the easy kind. It is about the kind of survival that asks what a person becomes after the world has tried to erase them.